PROFILE- POONAM RANA
Many artists have delved into the genre of contemporary. Amongst
the most prominent is Poonam Daksha Rana, who has forged ahead in the genre of
contemporary abstraction.
Poonam was born in Aurangabad in 1982. She did her MFA in painting
from North Maharashtra University. She has contributed extensively in the
promotion of art. She established “Daksh Kala Deergha”, providing fresh vigor
to artists and art environment of Pune through organizing art camps and seminars
on Art. As a qualified art teacher, she has been awarded the Best Teachers’
Award seven times in a row. Poonam commenced with her participation in art camps
in the 2000, and thereon participated in many art events in Nanded, Aurangabad,
Baroda Ahmedabad, Hyderabad, Trissur, Bangalore, Bhopal Khajuraho, Kolkata, Jamshedpur,
Pune, Amritsar, and Delhi. She has several awards to her credit, the latest
being the Maharashtra State Art Award for her stupendous work “Mohenjodaro in
Abstraction”.
Poonam skillfully applied new methods of creation in her
paintings. Poonam received acclamation for exhibiting her creations at a small
age on an international platform in Poland, when she was selected to exhibit
her works at the International Student Art Competition in 2000. She has
participated in a number of group shows as well as held her own solo shows. She
developed new dimensions in contemporary paintings; which were amply visible in
her solo shows. Her paintings have been exhibited at international art
exhibitions, and have been well received.
Art Institutions in various cities specially invited her to
participate in National as well as local art camps. She was given an
opportunity to participate in National Art Camp, 2014 at Kochi organised by
Central Lalit Kala Akademi, New Delhi. In 2016, she was invited by Tata Steel
for their Art in Industry event at Jamshedpur. Her works at this event were
widely applauded.
Poonam Rana is primarily an abstract artist. Accomplished in acrylic
and mixed media, she has developed a unique visual language in which meaningful
compositions are created through line, colour, and form. These compositions are
unparallel not only in their construction, but also in their sense of rhythm.
Her painting styles have evolved over the tears. Till 2009, her
works were primarily figurative, and near realistic landscapes. In 2010 and
2011, her works had undergone a shift. The artist was searching new ways of
identifying the ethos within her. Works of this period were figurative
abstracts, and there was a discernible continuity as she gradually eliminated
the form. The period of 2012 to 2015 saw a great spurt in a plethora of pure
abstracts. The construction of these works were a reflection of her own being,
and reflected a search for truth and her sensibility of spirituality. It was
from 2016, that the artist evolved further, and her quest was to experience the
vastness of what she perceived as life space in the universe.
Her works of this current phase have
been inspired by NASA’s images of the cosmos. Her construction of painting lies
in the innovative use of multiple systems of gradations of shape, size, tone,
and frequency. Such variations and progressions give a multitude of avenues or
flexibility to artistic compositions, wherein the creativity of an intense mind
of the artist is able to transform the edited images of the cosmos into her own
vision; which is dynamically projected on the canvass. Her painted fields,
defined by a combination of geometrical and non geometrical forms, encourage
continuity in selected areas of the canvass, and also maintain discontinuities
in other areas. This combination is conveyed with an exceptional sense of
colour and balance on the canvass.
Her works may seem to evoke a sense of
a relentless pursuit of truth. At times there is a serenity, which tends
towards a higher realm of spirituality; at other times, there is intense
dynamism, which reflects on the artist’s passion to search within and
evolve. Many of her earlier works in abstraction are landscapes
which show revisualised images of nature. Her variations in colour themes have
been applied skillfully. Colour application and mixing with rollers is her
distinct forte. Her application of metallic colours deserves note because of
its brilliant technical application. There are several other works which have
curling of lines. Combinations of colour carve patterns which appear to create
an ethereal world. Depictions in white, green, black, blue, bronze, grey, and red
colours show a different spectrum of an inner world within us. It has a
compositional ideology which is related with existence. These earlier works
appear to be a precursor to her later development of forms of the cosmos, as
well as to her newer abstractions of evolution.
Poonam’s style cannot be linked with
influence of any known artist. Her creativity is absolutely independent of any
such influences. Her canvasses are expansive, and at times give an impression
that they cannot even be contained within the frame. Her style is boundless.
This can happen only when one takes a new path, a new approach, a new
challenge, or a new vision. Only when creativity is unrestricted and truly
independent, can one create abstract images of the cosmos, as have been
displayed by the artist in her recent works.
Her genre of the current body of work can be
classified as “Contemporary Abstractionism”. In her paintings, there are
overtones of the contemporary being linked to the modernistic style. She pays
homage to the great masters of modernism, for they have showing her the road
ahead. She has stated that her works,
contemporary though the may be, have no linkages with the advent grade. Nor
does she consider that her art depicts current societal conditions, trends, patterns,
or ideas that contemporary art normally brings out. Her depictions, she says,
reflects a vision of her passion and quest for the eternal. What she has
internalised can only be conveyed through abstraction. It is only through the
genre of Contemporary Abstractionism that her perception of the absolute truth
can be externalized, through a medium of color and form.
Artiste POONAM A. RANA
(G.D. ART; M F A.)
AWARDS
• Abhinav Chitrashala Kala Shikshan Society Award, Nanded, Maharashtra, 1999.
• Balchitra Kala Priksha Abhinav Chitra Kala, Nanded, 1999.
• Sanskriti International Exhibition Of Art, Hyderabad, 2000.
• Young Envoys, Hyderabad, 2000.
• Angel Paradise School Aurangabad, 1999 and 2000.
• Kalashri Kala Maha Vidyalaya,Pune 2001. (Exhibited at London).
• National Drawing and Painting Competition, Best Student, Yashvant Kala Mahavidyalaya,
Aurangabad 2001.
• Gold Medal, Young Indian Student, Mumbai, 2001.
• Bronze Medal, Young Indian Student Award, Mumbai, 2002.
• Navneet Award, Best Student, Aurangabad, Maharstra,2002.
• Certificate of Appreciation, Hyderabad, 2002.
• Samajikvanikaran Award, Yashvant Kala Mahavidylay, Aurangabad, 2002.
• Dr.Babasaheb Ambedkar Vaidyakiya Pratishtan, On Awareness of Aids, Aurangabad, 2003.
• Gold Medal, Young Envoys International Student Award, Hyderabad, 2003.
• Lions Club of Aurangabad, 2003-04.
• Mayur Academy, Best Teacher Award, Pareli Vaijynath, Maharashtra, 2007.
• Abhinav Chitrakala Parishad, Best Teacher Award, Nanded, Maharashtra, 2008.
• Best Teacher Award, Japan, Tokyo 2009.
• Unique Best Teacher Award, Pune, Maharashtra 2010.
• Best Teacher Camlin Award, 2010.
• Best Teacher Camlin Award, 2011.
• Best Teacher Award, Czech Republic 2011.
• Best Teacher Award, Hyderabad, 2008 to 2015 (Continuously for seven years).
GROUP SHOWS
- Student International Art Competition, Poland, 2000.
- Yashvant Kala Mahavidyalaya, Aurangabad, 2001.
- Lokmanyatilak Exhibition Pune, Maharashtra, 2005.
- Shlok Annual Art Exhibiton, Pune, Maharashtra, 2008.
- Shlok Annual Art Exhibiton, Aurangabad, Maharashtra, 2012.
- Luminescences: Kerala Lalit Kala Academy, Thrissur, 2013.
- Brundon Boatyard: A Group Show, Kochi.
- “Gainsborough” Group Show, Triveni Kala Sangam, New Delhi. 2014.
- “Fragonard” Group Show, Bal Gandharava Rang Mandir, Pune, 2014.
- “Claude Lorrain” Group Show, Karnataka Chitrakala Parishath, Bangalore, 2014.
- Lalit Kala Academy Group Show, New Delhi, 2014.
- Shlok Art Exhibition & Group Show, Aurangabad, 2014.
- Yashvant Kala Mahavidyalaya, Aurangabad, 2015.
- Bal Gandharava Rang Mandir, Group Show, Pune, 2015.
- K.T. Kala Art Gallery, Group Show, Amritsar, 2015.
- Cosmo Art Gallery, Group Show 1, Pune, 2015.
- India Art Festival- Nehru Centre, Mumbai, 2015.
- Bal Gandharava Rang Mandir, Group Show 2, Pune, 2015.
- Tilak Smarak Mandir: Oak Exhibition, Pune, 2016.
- Shrishti: Travelling Group Show, Ahmedabad and Vadodara, 2016.
- Birsa Vihar Society All India Exhibition, Group Show, Amritsar, 2016.
- Art Etene- Confluence 16, Group Show, New Delhi, 2016.
- Narrative Movements (NGO), Group Show, Pondicherry, 2016.
- Sanskruti Art Gallery, National Group Exhibition, Panjim (Goa), 2017.
- Goa Art Fair, Emient Art Gallery, Panjim (Goa), 2017.
SOLO SHOWS
- Rama International Art Gallery, Aurangabad, Maharashtra, 2003.
- Kalash Mangal Karyalaya, Aurangabad, Maharashtra, 2012.
- K.T. Kala Art Gallery, Amritsar, 2015.
- Bharat Bhavan, Bhopal, 2015.
NATIONAL/ INTERNATIONAL LEVEL ART CAMPS/ WORKSHOPS
- Yashvant Kala Mahavidyalaya, Aurangabad, 2001.
- Muktanandmahavidyalay, Aurngabad, Gangapur, 2002.
- Shrimukthanand Mahavidyalay, Gangapur, Maharshtra, 2007.
- Nirvana Art Centre, Bangalore, 2012.
- Lalit Kala Academy Art Camp, Kochi, 2014.
- ICAC Gallery Art Camp & Group Show, Raigarh, 2015.
- Ramjas School, Delhi, Student and Artist Workshop, Vrindavan, 2015.
- Tata Steel Art in Industry, 2016.
- Kalavart Nyas Art Festival, Ujjain, 2016.
LANGUAGE Hindi, English, Marathi.
DOB 03 Oct 1982
CONDUCT OF ART CAMPS, SEMINARS, AND EXHIBITIONS
- Art Camps organized in Aurangabad and Pune since 2000.
- • Hobby Art classes for children in Diwali and summer vacation.
- • Unique Education Foundation Exhibition in Balgandhrava, Pune
- • International Competitions- Poland, Japan, Czech Republic. (Conducted student participations from 2012-2016).
- • Scholarship exams for children.
Email : ranapoonam123@gmail.com
Address:
A Wing, 1st Floor, Flat No. 4 ,
Bhama Central, Pangul Ali,
Ganesh Peth,
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